As a film, Maa Inti Bangaram frustrates; as a milestone for Telugu cinema's female-led stories, it deserves to be celebrated.
Whether Freedom At Midnight 2 has a political agenda, a bias or two will be read into it, depending on the affiliation of who is watching, notes Deepa Gahlot.
Agra is weird, even ambitiously so, as the film moves between being disturbing and just plain odd, it doesn't fully land on either side, observes Mayur Sanap.
Silent it may aim to be, but Ufff Yeh Siyapaa is as headache-inducing as an out-of-tune brass band, sigh Deepa Gahlot.
'Some people enter our lives not to stay forever, but to leave us changed forever.'
It is difficult to make conveyor belt and baggage-scanning scenes thrilling -- which is how most people trying to sneak out through the Green Channel are caught -- but Neeraj Pandey and co-director Raghav M Jairath and co-writer Vipul K Rawal make sure there is enough going on to make the series watchable, raves Deepa Gahlot.
The visuals in Mayasabha are overwhelming, the treatment is heavy-handed, and the performances overdone, observes Deepa Gahlot.
In the midst of crime and cop shows all over, a family comedy comes as a relief, notes Deepa Gahlot.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
Anything is better than Mastiii 4, sighs Mayur Sanap.
In just five tightly packed episodes, Search: The Naina Murder Case takes you through a whirlwind of theories, emotions, and shocking revelations, making it a compelling Indian crime drama, notes Divya Nair.
Producer Boney Kapoor's daughter Anshula Kapoor has tied the knot with Rohan Thakkar, sharing heartwarming glimpses of their traditional wedding ceremony.
All this time the Great Indian Family was a refuge, when did it become a toxic dump, wonders Deepa Gahlot.
Aamir Khan and Gauri Spratt tied the knot in a registered marriage ceremony in Mumbai.
Large chunks of Stranger Things Season 5, Volume 2 are exhausting and boring, despite the efforts of the likeable cast, with the '80s outfits and big hairstyles that were trendy then, looking earnest and hassled because the fate of the world depends on them, observes Deepa Gahlot.
As Aamir Khan Productions celebrates 25 years, we rank the 10 best films produced by its star, from the iconic Lagaan to the recent critically-acclaimed Laapataa Ladies.
Four More Shots Please 4 seems to have been made to show off trendy outfits because more than the script, attention was paid to the costumes, observes Deepa Gahlot.
Lord Curzon Ki Haveli lacks the wit and the wickedness to go anywhere with the mildly intriguing setup, observes Deepa Gahlot.
Nothing about TMMTMTTM feels fresh. That includes the painfully uninspired romance between the leads, who lack both genuine chemistry as well as individual charm to make a romantic drama like this work, sighs Mayur Sanap.
From October to Saiyaara, these Hindi love stories proved that romance still has the power to break hearts, move audiences and create box office magic in the age of violent cinema.
'I've asked them so many times that after going through gruelling shoot sessions for 30-40 years, what keeps your passion alive? I think it's the discipline to show up.'
Saif Ali Khan may have delivered several iconic performances, but some of his fascinating roles still do not get the appreciation they truly deserve.
Avatar: Fire And Ash is visually stunning and emotionally engaging, offering strong performances and thrilling action, notes Syed Firdaus Ashraf.
'You can't put an an arm around Naseer sir and say, "sir, ek aur take karte hain". You got to be clear why you want it.'
Anshula Kapoor and Rohan Thakkar have begun their pre-wedding celebrations in Mumbai.
Vaa Vaathiyar ends up being a bland yet fascinating iteration of a masala film funnelled through the prism of a quirky humorist, notes Arjun Menon.
Bhagwat Chapter One: Raakshas: An average watch instead of a compelling nightmare, notes Mayur Sanap.
The power of Santosh hinges on the script, enhanced by Shahana Goswami and Sunita Rajwar's performances, observes Deepa Gahlot.
It's been a while since Hindi cinema had a zany, well-written comedy, applauds Deepa Gahlot.
Revolver Rita doesn't use its comic potential to its fullest and ends up a passable comedy that could have used more bite, observes Arjun Menon.
Movie star Trisha Krishnan graced C Joseph Vijay's swearing in as Tamil Nadu's new chief minister.
Dining With The Kapoors offers a perfectly edited, heart-warming family reunion, but it stops just short of showing the messy nok-jhoks and real moments that could have made it more immersive, notes Divya Nair.
Mirai is an ambitious, but lazily timid visual effects overkill that squanders away potential with an undercooked early draft screenplay that needed rework, notes Arjun Menon.
The comedy is unfunny, the emotional bits are dubious and the music forgettable in Heer Express, observes Deepa Gahlot.
'The messages, the videos, the tears, the conversations, the love... I've been reading and watching all of it, often with tears in my own eyes.'
Even if you don't play the game, you'll understand everything and have a good time, promises 9-year-old Minecraft gamer Avan Verma.
'My wife was disturbed. She didn't know how to sleep next to me. It was traumatising.' 'I remember having a frankie at a roadside stall, and a lady came to me and shouted, 'Oh my God!'' 'I said, 'No, no, no... I'm just an actor'.
What you get is a predictable, conventional story salvaged only by powerful performances from both the lead and the supporting cast, observes Divya Nair.
Soha Ali Khan and Kunal Kemmu shares charming glimpses of their London vacation.
Cocktail 2 has made a significant impact at the box office with a strong opening weekend, while Main Vaapas Aaunga has surprised many with its remarkable post-release resurgence.
