Mirai is an ambitious, but lazily timid visual effects overkill that squanders away potential with an undercooked early draft screenplay that needed rework, notes Arjun Menon.
For a grim subject matter as grim as this, it's refreshing that Sentimental Value avoids becoming a manipulative, melodramatic tearjerker, notes Mayur Sanap.
The comedy is unfunny, the emotional bits are dubious and the music forgettable in Heer Express, observes Deepa Gahlot.
Bugonia's ending, though not unexpected, is still shocking, reveals Deepa Gahlot.
Pankaj Kapur, who visibly enjoys playing the ringmaster to this family circus, is the glue that holds Thode Door Thode Paas together, observes Deepa Gahlot.
What you get is a predictable, conventional story salvaged only by powerful performances from both the lead and the supporting cast, observes Divya Nair.
Mouni Roy turned heads at Cannes 2026 with a stunning light blue and white deep-neck gown.
We may not know Dr Ramani at first, but by the end, we get a clearer sense of his nobility. For a biopic, that's a job done well, notes Mayur Sanap.
Sanjay Dutt, known for his 'Khalnayak' image, is set to return to the big screen as a historical antagonist in Raja Shivaji' and a rugged gangster in 'KD - The Devil'. This article ranks his most compelling villainous performances in Hindi cinema, highlighting his versatility in embracing darker roles.
It's good to see Huma Qureshi help create a film which is as charming as it is empowering, without taking on the stridency that so many women-oriented films invariably adopt, notes Deepa Gahlot.
'Idli Kadai wears its heart on its sleeve, embracing nostalgia and roots with both hands. Dhanush is in top form as an actor and director here, mining most of the material,' recognises Arjun Menon.
Ranveer Singh's Dhurandhar: The Revenge is smashing box office records, raking in Rs 681.27 crore (Rs 6.81 billion) in India and exceeding Rs 1,000 crore (Rs 10 billion) worldwide, solidifying the actor's status as a bankable star. Check daily collection, trends, and box office performance.
Nobody Wants This Season 2 might not reinvent the rom-com wheel, but it proves that messy love stories can be meaningful, relatable, and totally watchable, notes Divya Nair.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
Television actress Shilpa Shinde addressed the ongoing backlash surrounding her Bhabiji Ghar Par Hain sexual harassment row, alleging a 'paid PR' campaign is behind the criticism.
Train Dreams refuses to pander to an attention-deficit audience and is not afraid of the silence of emotional depth, observes Deepa Gahlot.
This turgid drama, solely designed to titillate male audiences, move from one hare-brained scene after another with intermittent over-acting, ear-splitting background music, and over-the-top dialoguebaazi, sighs Mayur Sanap.
Salman Khan's latest Instagram post features his pet dog and showcases his love for animals.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
Aryan Khan has made The Ba***ds of Bollywood entertaining and wicked, applauds Deepa Gahlot.
Even if you don't play the game, you'll understand everything and have a good time, promises 9-year-old Minecraft gamer Avan Verma.
'There is a fortune in stolen money, counterfeit notes floating around, and political skullduggery afoot, along with treachery, double dealing, kidnapping and all manner of wickedness packing the series so densely that the pace never flags and a profusion of twists keeps the story engaging even when it strains credibility,' notes Deepa Gahlot.
Diana Penty showcased her signature understated elegance at Cannes in a stunning butter-yellow gown.
Made at a time when an insidious agenda can be read into it, Haq is an important film that deals with a contentious subject with maturity, observes Deepa Gahlot.
Prashanth Neel's Dragon promises a sprawling mass action spectacle with its gritty world-building, intriguing historical backstory, and Jr NTR's ferocious transformation as 'Luger'.
Jugnuma has the unhurried pace of a stroll at dusk through the hills and the quiet delight in coming across jugnus (fireflies) twinkling in the trees, observes Deepa Gahlot.
120 Bahadur is underwhelming, adding little fresh perspective and generally feeling like a standard war drama we have seen umpteen times before, notes Mayur Sanap.
Jacqueline Fernandez made a striking appearance at the Cannes Film Festival, and attended the Chopard Miracles show.
It is sporadically chilling but the disparate elements take forever to come together, notes Deepa Gahlot.
Aishwarya Rai Bachchan redefined her iconic style at the Cannes 2026 closing ceremony, dazzling in a unique and intricately designed white pantsuit that garnered applause from fashion enthusiasts.
This Delhi Crime series belongs to Huma Qureshi, who plays Badi Didi as a hateful woman. She also commands some admiration for the way she negotiates with venal men and even some degree of sympathy for making the best of whatever life throws at her, observes Deepa Gahlot.
Jacqueline Fernandez made a striking appearance at the Global Gift Foundation Gala Night during the Cannes 2026.
A straightforward mishmash of earlier I Know... movies, where the obvious silliness remains intact but the fun quotient comes discounted, observes Mayur Sanap.
Throughout Parasakthi, Sivakarthikeyan mentions he is not against Hindi but the imposition of Hindi, notes A Ganesh Nadar.
The sheer awfulness of Andaaz 2 really doesn't deserve anyone's time or attention, warns Mayur Sanap.
Mouni Roy made a striking style statement at Cannes in a custom-made blue gown inspired by the intricate Patola weaving style from Gujarat.
Mouni Roy made a stunning impression at the Cannes 2026 Pre-amfAR event, dazzling in a dramatic black-and-gold gown.
Discover the latest OTT releases, streaming in the month of March.
Alia Bhatt turned heads at the Cannes Film Festival 2026, showcasing a versatile fashion sense from a captivating princess-like gown to a custom-draped dhoti skirt adorned with traditional Indian jewellery.
Tere Ishk Mein is a disservice to brilliant actors like Dhanush and Kriti Sanon, who have poured their heart and soul into their performances in a story that fails to honour its characters, notes Divya Nair.
